In a tense pretrial hearing in Las Vegas, former “Dances with Wolves” actor Nathan Chasing Horse was briefly removed from the courtroom after disrupting proceedings in his high-profile sexual abuse case, raising fresh questions about celebrity, power, and accountability in Hollywood and beyond.


Nathan Chasing Horse in court in Las Vegas
Nathan Chasing Horse appears in a Las Vegas courtroom ahead of his sexual abuse trial. (Image credit: CBS News)

Chasing Horse, best known for his role in the 1990 Oscar-winning Western Dances with Wolves, now sits at the center of a serious criminal case involving allegations of sexual abuse spanning years. The courtroom disruption, where he reportedly insisted on firing his defense attorney mid-hearing, added a volatile new chapter to a story that already intersects Hollywood history, Indigenous representation, and the ongoing reckoning around abuse in the entertainment industry.


What Happened in the Las Vegas Courtroom?

During a pretrial hearing in Las Vegas, Nathan Chasing Horse allegedly interrupted proceedings with repeated demands that he be allowed to dismiss his court-appointed lawyer. According to reporting from CBS News, his behavior escalated to the point that the judge ordered him temporarily removed from the courtroom.

After being escorted out, the hearing continued as the court worked through procedural issues ahead of his upcoming trial. Chasing Horse was later brought back in, a move aimed at preserving his constitutional right to be present for key parts of his own case while still allowing the judge to maintain order.

Court officials said the former “Dances with Wolves” actor repeatedly demanded to fire his public defender, disrupting proceedings until the judge ordered him removed from the courtroom.

Courtroom removals like this are rare but not unheard of. Judges in U.S. courts are allowed to remove a defendant who refuses to follow basic rules of decorum, as long as the court takes reasonable steps to ensure that the person still receives a fair trial.


The Allegations Against Nathan Chasing Horse

Nathan Chasing Horse faces a series of grave accusations. Prosecutors in Nevada allege that he:

  • Sexually assaulted multiple women and girls over several years.
  • Used his status and spiritual influence to gain access to and control over victims.
  • Filmed himself sexually abusing a girl under the age of 14.

These charges are part of a broader investigation that reportedly extends beyond Nevada, with law enforcement looking into allegations in multiple states and possibly in Canada. The scope reflects the way some alleged abusers can move across jurisdictions, especially when they operate as spiritual leaders or community figures.

While the details of the case will be tested at trial, the allegations themselves are extremely serious and, if proven, carry the possibility of a lengthy prison sentence. As of now, Chasing Horse maintains his innocence and has pleaded not guilty.


From “Dances with Wolves” to Criminal Defendant: A Brief Background

Nathan Chasing Horse first entered the pop-cultural conversation with his appearance in Kevin Costner’s 1990 epic Dances with Wolves, a film that became a landmark in Hollywood’s portrayal of Native American characters—albeit in ways that are now, decades later, debated and re-examined.

The original poster for Dances with Wolves, the 1990 Western that launched Chasing Horse into Hollywood visibility. (Image credit: Wikimedia Commons)

The film won seven Academy Awards, including Best Picture, and was widely praised at the time for giving Native characters more depth than the genre typically allowed. For many viewers in the early 1990s, seeing Indigenous actors in prominent roles was both novel and important.

After Dances with Wolves, Chasing Horse’s Hollywood presence was relatively low-key compared to some of his co-stars. Over time, he became better known in certain Indigenous and spiritual communities, presenting himself as a traditional healer and leader—a role that prosecutors now say was key to the alleged abuse.


Indigenous Representation, Power, and the Hollywood Shadow

The Chasing Horse case sits at a complicated crossroads: Indigenous visibility in mainstream media, the power of spiritual authority, and the long-running wave of abuse revelations ignited by the #MeToo movement.

For years, Hollywood’s Indigenous representation has swung between invisibility, tokenism, and attempts at course correction. Actors like Chasing Horse, even in relatively small roles, could become symbolic of a larger push to see Native stories on screen. That symbolic weight now collides with accusations that have nothing to do with Hollywood glamour and everything to do with real-world harm.

“When someone in our communities is accused of serious abuse, especially someone who presented themselves as a spiritual leader, it’s not just a tabloid story—it’s a wound,” a Native critic told regional media in response to the case.

The allegations, if proven, also speak to how predators can hide behind cultural and spiritual roles. When an individual is seen as a healer or traditional authority, questioning their behavior can feel like questioning the culture itself—a dynamic that can silence victims for years.


The image of a former Hollywood actor being escorted out of a courtroom is undeniably dramatic, but it’s also a window into how high-stakes trials actually work. Chasing Horse’s demand to fire his lawyer—right before trial—puts the court in a tight spot.

  • Right to counsel: Defendants have the right to a lawyer, but not necessarily to change attorneys at the last minute if it would disrupt the court’s schedule.
  • Right to be present: They also have a right to attend their own trial—but that right can be limited if their behavior makes it impossible to proceed.
  • Fair trial vs. delay tactics: Judges have to decide whether behavior like this reflects genuine breakdown with counsel or an attempt to stall the process.

By removing Chasing Horse temporarily, the judge signaled a willingness to keep the trial on track while still acknowledging his rights. How the court ultimately resolves his complaints about his attorney could affect whether there are appeals later on grounds of ineffective counsel or due process violations.

Interior of a courtroom with empty benches and judge's bench
Courtrooms often become stages where legal rights, public scrutiny, and personal behavior collide.

How Media and Audiences Are Responding

Coverage from outlets like CBS News has framed the story primarily as a criminal case, with the “former Dances with Wolves actor” label serving as a headline hook. That emphasis is telling: his celebrity status isn’t what makes the allegations serious, but it does shape how widely they’re reported and how they’re perceived.

For audiences, this is familiar terrain by now: another figure once associated with artistic or cultural value now accused of deeply harmful private behavior. The reaction pattern is increasingly recognizable:

  1. Initial shock and headline-driven interest.
  2. Re-examination of past work and public persona.
  3. Community-based conversations, especially among those directly affected (in this case, Indigenous communities and survivors of abuse).
  4. A long, often quiet legal process that rarely matches the intensity of the first wave of coverage.
Person watching television with a remote in hand
For many viewers, news about an actor’s off-screen life can permanently change how their on-screen work feels.

Separating the Art from the Accusations?

Whenever an actor or filmmaker is accused of serious wrongdoing, the cultural debate inevitably turns to whether and how we can separate their art from their alleged actions. In Chasing Horse’s case, this debate is layered by the film’s role in shaping mainstream views of Native life.

Some key questions viewers are asking:

  • Can we appreciate Dances with Wolves as a historical artifact while condemning alleged abuse by one of its actors?
  • Does continuing to watch or celebrate the film feel like complicity, or is that too simplistic?
  • How do we center survivors and affected communities in these conversations, rather than just re-centering the accused?

There are no easy, one-size-fits-all answers here. But the trend in recent years has been toward more survivor-centered approaches: prioritizing listening to those who’ve been harmed, and rethinking how institutions—not just individuals—respond to allegations.


Where to Follow the Case and Learn More

For those wanting to track the legal developments in the Nathan Chasing Horse case, reliable sources include:

  • CBS News for ongoing national coverage.
  • Regional Nevada outlets and court reporting for detailed procedural updates.
  • Legal databases and public court records where filings and motions may become available.
Person reading news on a smartphone
As the case moves toward trial, verified reporting and official documents will matter more than quick social media reactions.

As always with an active criminal case, the allegations remain just that—allegations—until tested in court. At the same time, there is increasing recognition that public discussion and survivor support don’t have to wait for a verdict to treat claims with seriousness and care.


Looking Ahead: Accountability Beyond the Headlines

Nathan Chasing Horse being thrown out of a Las Vegas courtroom is a cinematic image, almost too on-the-nose for someone associated with one of Hollywood’s most iconic Westerns. But the stakes here aren’t cinematic—they’re deeply human.

As the trial approaches, this case will likely become another touchpoint in ongoing conversations about:

  • How communities respond when leaders or cultural figures are accused of serious abuse.
  • What accountability looks like across legal, cultural, and spiritual spheres.
  • How we process beloved or influential works when dark stories emerge around their creators or performers.
Scales of justice symbol in front of law books
Whatever the verdict, the broader conversation about power, trust, and harm in and around the entertainment industry will continue.

Whether you come to this story as a film fan, an advocate, or simply an informed observer, the key may be holding two ideas at once: respect for due process in the courtroom, and empathy for those who step forward with allegations that are often painful, risky, and long overdue.